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Tour de Force

Eliza Garth

Eliza Garth -Piano
Sheree Clement -Composer
Perry Goldstein -Composer


Label

Albany Records TROY1714

Engineering Credits

Tracks 1-13 -Engineered, edited & mixed by Jeremy Tressler at Dreamflower Acoustic

Track 14 -Engineered by Judith Sherman & mastered by Jeremy Tressler


Reviews

“This album of piano works — Preludes by Sheree Clement and Of Points Fixed and Fluid by Perry Goldstein — presents a cornucopia of sounds and feelings brought to expert, breathing life by pianist Eliza Garth…” (American Record Guide)

“Pianist Eliza Garth’s latest Albany Records release, “Tour de Force,” is the perfect music for the Rites, and the Rights, of Spring. In this season of protest and forthcoming change, the album consists of music by two contemporary composers, from whom, through Garth’s hands, we get a sense of turmoil and a world to come.…Garth’s phrasing, nuance, dynamic expertise, and virtuosity answer the challenges posed by each of these composers, in an album where I hear echoes of the passion of the Parkland students, the turmoil of our current political situation, and the warmth of the Summer to come, all distilled in one beautifully movable feast.…” (QonStage.com)

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Tour de Force

Eliza Garth -Piano
Sheree Clement -Composer
Perry Goldstein -Composer


Label –Albany Records TROY1714

Tracks 1-13 -Engineered, edited & mixed by Jeremy Tressler at Dreamflower Acoustic

Track 14 -Engineered by Judith Sherman & mastered by Jeremy Tressler


Reviews:

“This album of piano works — Preludes by Sheree Clement and Of Points Fixed and Fluid by Perry Goldstein — presents a cornucopia of sounds and feelings brought to expert, breathing life by pianist Eliza Garth…” (American Record Guide)

“Pianist Eliza Garth’s latest Albany Records release, “Tour de Force,” is the perfect music for the Rites, and the Rights, of Spring. In this season of protest and forthcoming change, the album consists of music by two contemporary composers, from whom, through Garth’s hands, we get a sense of turmoil and a world to come.…Garth’s phrasing, nuance, dynamic expertise, and virtuosity answer the challenges posed by each of these composers, in an album where I hear echoes of the passion of the Parkland students, the turmoil of our current political situation, and the warmth of the Summer to come, all distilled in one beautifully movable feast.…” (QonStage.com)

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